IV. MUSICAL EXAMPLES:
BAROQUE & CLASSICAL ERAS; TORBAN TUNING & REPERTOIRE.
Last update: April 21, 2006
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CHAPTER I :: UKRAINE IN THE 18th CENTURY: General outlook
CHAPTER II :: UKRAINIAN MUSICAL INSTRUMENTS: Historical context
CHAPTER III-a :: TORBAN: Its origins and predecessors
CHAPTER III-b :: TORBAN: Illustrated Overview of Surviving Instruments
CHAPTER IV-a :: UKRAINIAN MUSIC: Renaissance Era, Lute
CHAPTER IV-b :: Baroque & Classical Eras
CHAPTER IV-c :: Baroque Lute & Torban
CHAPTER V :: PERSONALITIES: Known players and literary citations
ICONOGRAPHY :: REGIONAL: Lutes in Early Eastern Europe
GUESTBOOK :: COMMENTS
FORUM :: DISCUSSIONS
CONTACT :: QUESTIONS
Some examples of how torban music may have sounded: Ukrainian songs with Torban/Baroque Lute accompaniment, and instrumental solos in BAROQUE LUTE TABULATURE by Roman Turovsky-Sautscheck intabulated after a visit in Ruthenia. All melodies are traditional, unless noted otherwise
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UKRAINIAN SONGS WITH TORBAN/BAROQUE-LUTE ACCOMPANIMENT are located HERE.
TORBAN/LUTE SOLOS
53-54-55.***
KOZACHOK (a)-[PDF], [MIDI], [MP3]KOZACHOK (g)-[PDF], [MIDI], [MP3]
KOZACHOK (g)-[PDF], [MIDI], [MP3]
52.***
LIED OHNE WORTE V (a)-[PDF], [MIDI], [MP3]51.***
LIED OHNE WORTE IV (a)-[PDF], [MIDI], [MP3]50.***
LIED OHNE WORTE III (g)-[PDF], [MIDI], [MP3] , [MP3]49.***
LIED OHNE WORTE II (g)-[PDF], [MIDI], [MP3], [MP3]48.***
DUMKA (d)-[PDF], [MIDI], [MP3]47b.***
O VOZLJUBLENNYJ SYNE (a- ornamented version)-[PDF], [MIDI]47a.***
O VOZLJUBLENNYJ SYNE (a)-[PDF], [MIDI]46a-46b.***
OJ U POLI (a)-[PDF], [MIDI], [MP3] (Archlute version [PDF])45.*** (Also see #37)
DUMA PRO SAVCHUKA II (a)-[PDF], [MIDI], [MP3]44.***
A TOMBEAU on the death of Grygory Skovoroda: TOMBEAU-PDF TOMBEAU-MIDI TOMBEAU-OGG
43.***
PODOLJANOCHKA II (a)-[PDF], [MIDI], [OGG]42.***
PODOLJANOCHKA I (a)-[PDF], [MIDI], [OGG]41.***
STOIT' JAVIR NAD VODOJU (a)-[PDF], [MIDI] (Air with two Doubles)40.***
NALYVAJMO, BRATTJA, KRYSHTALEVI CHASHI (g)-[PDF], [MIDI]39.***
PYTAET'SJA VITER V SMERTI (a)-[PDF], [MIDI]38.***
HTO GHORJA NE ZNAE, HAJ MENE SPYTAE (a)-[PDF], [MP3]-LIVE, by Christopher Wilke
37.***
CHORNII BROVY (a)-[PDF], [MP3]-LIVE, by Jason Yoshida36.***
VERSHE MIJ (d)-[PDF], [MIDI]35.***
KLEINRUSSISCHE LIED OHNE WORTE (g)-[PDF], [MIDI], [MP3]34.***
KRACHE, KRACHE (g)-[PDF], [MP3]-LIVE, by Christopher Wilke
33.***
JAROM, JAROM (g)-[PDF], [MP3]-LIVE, by Roman Turovsky,
32.***
JAROM, JAROM (a)-[PDF], [MP3],[MP3]-LIVE, by Christopher Wilke
31.***
PRALJA (g)-[PDF], -[MIDI], [MP3]-LIVE, by Jason Yoshida
30.***
STOIT' JAVIR I (a)-[PDF], [MIDI]29.***
STOIT' JAVIR II (g)-[PDF], [MIDI], a different melody to the same text28.***
IDE GHOMIN (d)-[PDF], [MIDI]27.***
BULO V KYIVI (a)-[PDF], [MIDI], [MP3], [MP3]-LIVE, by Roman Turovsky26.***
DIVCHYNIO-NEBOGHO II (a)-[PDF], [MIDI]25.***
DIVCHYNO-NEBOGHO I (g)-[PDF], [MIDI]24.***
VITRY-VIJUT' (d)-[PDF], [MIDI]23.***
KOLYSKOVA (a)-[PDF], [MIDI]22.***
PASLA HALJA PAWY (C)-[PDF], [MIDI]21.***
BURLAKY (a)-[PDF], [MIDI]20.***
PODOROZH (g)-[PDF], [MIDI], [MP3] -LIVE, by Stuart Walsh19.***
NICH' TAKA JASNAJA-[PDF], [MIDI]18.***
NICH' TAKA JASNAJA (EARLIER VERSION)-[PDF], [MIDI]17.***
ZAKUVALA TA SYVA ZOZULJA-[PDF], [MIDI]16.***
OJ CHOGHOZH TY ZAZHURYVSJA-[PDF], [MIDI]15.***
KOLYSKOVA-I-[PDF], [MIDI]14.***
KOZAKY-[PDF], [MIDI]13.***
VZJYAV BY JA TORBANA-[PDF], [MIDI], [MP3]12.***
POJU-KONJA (g)-[PDF], [MIDI], [MP3]11.***
POJU-KONJA (a)-[PDF], [MIDI], [MP3]
10.***
9.***
8.***
7.***
DIVCHYNO III (g) [PDF], [MIDI]
6.***
CHOGHO ZH VODA KALAMUTNA (g)-[PDF], [MP3]
5.***
4.***
3.***
MISJAC NA NEBI (g)-[PDF], [MIDI], [VIDEO], by Stewart Walsh
2.***
TRY KRYNYCHEN'KY (g)-[PDF], [MP3]
-LIVE, by Jason Yoshida
1.***
ZHYDIVOCHKA NA SELI (g)-[PDF] (Prysvjachuetsja druzhini...) -[MIDI], [MP3]
***
The torban has approximately 30 strings made of gut [6-8 of them stoppable on the fingerboard, and these often were double], although instruments having up to 60 strings are reported to have existed [the doubling of stoppable and bass strings makes this realistic].The Humenyuk book on the Ukrainian folk instruments (1930) reprint a rather peculiar tuning system first given by Lysenko in 1892:Trebles/Prystrunky: 12 or 13 single strings from f up to c/d in the f-major scale.Main strings/Vtory: 4 single fingerboard frettable strings, bottom to top: c, f, a, c.Basses on the fingerboard, octave strung, bottom to top: c, d, f, Bb,Basses off the fingerboard, octave strung, bottom to top: f, a, Bb, REPEATED TWICE, logic unclear, possibly an error and octave stinging was intended.
Low single basses/Bayorky, bottom to top, in THIS particular order: d, c, f, Eb.